Mud and the Automobile

A curious relationship between mud brick architecture,clay and the automobile exists in two very important earthen architecture building cultures: among the Ndebele people of South Africa, whose vividly painted mud brick houses have been transposed to the automobile, and in northern New Mexico where the descendants of the Indigenous Pueblo people and Spanish colonists created a unique style of mud brick architecture from which emerged the invention of the lowrider.

Ndebele

The Ndebele people of South Africa are famous for the the colorful patterns applied to the exterior of their houses, which are made of a mixture of dung, mud, and clay. Their distinctive house-painting style, originally based on a similar but less colourful style originally developed by the Northern Sotho or Pedi, flowered and achieved its creative pinnacle within the almost slave-like conditions which the Ndebele endured on the white-owned farms of the south-eastern Transvaal during the late 19th century and the first half of the 20th century.


Ndebele house

The almost exclusively female creators of these arts have for decades been borrowing elements from the social and cultural repertoires both of their neighbours and of modern industrial society. Peter Rich writes, “The strength of Ndebele spatial models and aesthetic grammar allowed them to invest images reinterpreted from other cultures, with their own symbolic meaning. They had an affinity with the stylised art deco that was prevalent in cities such as Pretoria in the 1940s and ’50s. The changing trends in Western society, notably the American car culture of the ’50s, fashion and infatuation with images of power/electricity/jet aeroplanes, were other catalysts. ‘We see what we want to see and make it our own’, proclaims a Ndebele matriarch.”


Application of paint to earthen wall

Because of the striking designs adorning the houses, tourists drove great distances to see the Ndebele, often from as far away as Johanasburg, which was 100 miles away. According to Elizabeth Ann Schneider, the Ndebele women noticed the license plates on the cars and although they could not read them, they liked the shapes of the letters and numbers and began to paint them on their earthen walls. They mirrored the shapes of these forms to create symmetrical patterns on the front of their houses. Wavy designs known as “tire tracks” are still sometimes applied to walls and also appear on floors.


Modern “BMW” Ndebele House

‘Mural decoration is the prerogative of the woman; it denotes her unique and intimate relationship with the indlu (home) and her passive response to being exploited socially and politically,’ wrote Margaret Courtney-Clarke in Ndebele, but with the pressures of a modern era, the Ndebele women became increasingly dependent upon the automobile to find work in cities that were a good distance from their villages. This cultural shift led to the application of Ndebele motifs, which until then used the car as inspiration, to the car itself.


Car decorated with Ndebele paintings in Pretoria, South africa.

Many Ndebele women became well known for their craft and the most celebrated of these artists is Esther Nikwambi Mahlangu. Born in Middleburg in 1936, she was invited in 1989 to exhibit at the Pompidou Art Museum in Paris. In 1991, she was invited to paint a prototype of the new BMW 525i model. Esther’s car, eleventh in the Art Car Collection, was the first to be decorated by a woman artist and as a black woman artist from a little-known South African community to be included in a prestigious international artistic line-up of artists including Frank Stella, Roy Lichtenstein, Andy Warhol and David Hockney made this fact all the more exceptional.


Esther Mahlangu’s Ndebele BMW

In 2008 Mahlangu was invited to paint another car—this time the new Fiat 500.


Mahlangu next to her Fiat 500

Today, calling attention to the automobile’s long relationship with the the architecture of the Ndebele, an old car, painted in this evolving tradition, joins a sign announcing the entrance to the famous mud brick village of Lesedi.


Sign at the entrance to the village of Lesedi.

New Mexico

Mud brick was the principal building material Northern New Mexico from the founding of the first European colony in 1598 until the mid 20th century, and hand formed mud had been used in to construct multi-story dwellings for thousands of years prior. Industrialization, mining and the lure of jobs in cities transformed what was largely agrarian society in New Mexico into a society increasingly dependent upon the automobile to travel the great distances from the isolated villages to cities and the mines in central Colorado.


The San José de Gracia Church, built between 1760 and 1776 and considered a model of the adobe architecture found throughout New Mexico. Here the church can be seen through the windshield of Levi Lobato’s 1972 Chevrolet Monte Carlo.

From the desire to bring with them a piece of home from a landscape in which the people were deeply rooted, emerged the lowrider—a chapel on wheels that evoked the essence of the ancient baroque mud brick churches that were at the center of village life.


Dave’s Dream as displayed in the Smithsonian Museum’s former Road Transportation hall, with photomural of the El Santuario de Chimayo, and an assembly of trophies won by this lowrider automobile. Photo by Jeff Tinsley, Negative #: 95-3340


The altar of El Santuario de Chimayo whose color scheme and ornamentation could be seen as influential to “Dave’s Dream”

The long lines of automobiles produced in the 40’s, 50’s, 60’s and 70’s were reminicent of the long corrieras—adobe houses that were composed of several branches of a single family constructed through a series continuous additions as the family grew. The interiors and/or exteriors of the car were often lavishly ornamented, reminiscent of the baroque ornamentation found in the mud brick interiors.


Ruin of a corriera house in San Idelfono, New Mexico and a 1963 Impela.


Low-rider Cadillac named “Chimayo,” Chimayo, New Mexico, 1997 by Craig Varjabedian

Today, the mud brick village of Chimayo, New Mexico is considered the spiritual center of the lowrider world and nearby Española, New Mexico is considered the lowrider capital of the world. Today lowrider culture has become a global phenomena, but the ornate vehicles and over-zealous use of hydraulics that tilts the automobiles into torqued positions still recall the leaning ancient mud brick structures of northern New Mexico.

And while lowriding has become a serious artform and mud brick architecture has roots in the sacred, the combination of adobe architecture and the automobile has also been poked fun at in popular culture as evidenced by the adobe car, featured in a Saturday Night Livefake commercial“, a transcript of which appears below:

Spokesman: These days, everyone’s talking about the Hyundai, and the Yugo. Both nice cars, if you’ve got $3,000 or $4,000 to throw around. But, for those of us whose name doesn’t happen to be Rockefeller, finally there’s some good news – a car with a sticker price of $179. That’s right, $179. The name of the car?

Adobe. The sassy new Mexican import that’s made out of clay. German engineering and Mexican know-how helped create the first car to break the $200 barrier. At this price, you might not expect more than reliable transportation – but, brother, you get it! Extra features: like the custom contour seats, or the beverage-gripping dash. And the money you save isn’t exactly small change!

Jingle:
“Hey, hey, we’re Adobe!
The little car that’s made out of clay!
We’re gonna save you some money
that you can spend in some other way!
Hey, hey, we’re Adobe!
Hey, hey, we’re Adobe!
Adobe!”

Spokesman: Adobe. You can buy a cheaper car. But I wouldn’t recommend it!

Announcer: Not approved for street use in some states. No warranty either expressed or implied. All sales final.

Interestingly, most major automobile manufacturers actually employ clay to visualize their designs before they go into production. This art of designing cars in clay has existed since the 1920’s, just as the Industrial Revolution was beginning to influence the culture of the remote villages of Northern New Mexico and still today, most of the futuristic prototypes found at car shows are clay models crafted with multiple axis computer controlled mills that carve the car from clay based on designs created using 3D modeling software.


High Speed CNC Machine

And as sophisticated machinery is being developed to shape the automobiles of the future out of clay, cumbersome vehicles exist that move across flat terrains, which consume mud and excrete large quantities of mud brick to fuel a growing demand for adobe houses in New Mexico and beyond. Such machinery can be found at The Adobe Factory in Alcalde, New Mexico and can produce 20,000 mud bricks per day.


An adobe machine

AdobeUSA 2009

The 5th Adobe Conference of the Adobe Association of the Southwest, AdobeUSA 2009, will take place May 15 and 16, 2009 in El Rito, New Mexico on the campus of co-sponsor Northern New Mexico College in Cutting Hall Auditorium.

Call for Papers Schedule:
November 15, 2008: Abstracts due. One page maximum on 8-1/2? x11? paper.
December 15, 2008: Notification of paper acceptance.
January 15, 2009: AdobeUSA begins accepting full paper submissions.
February 15, 2009: All full paper due. 7-page maximum including graphics.

Subject Categories:
Education and Technology Transfer
Heritage and Conservation/Preservation
Techniques, Materials and Their Properties (including Seismic and Thermal)
Earthbuilding in Contemporary Architecture

Submit abstracts by mail, fax or e-mail (attached as a DOC file using our template above) to:
Quentin Wilson, Speakers Committee
PO Box 426, El Rito, NM 87530
Fax: 1-505-581-9156
e-mail: qwilson@nnmc.edu

Presentation Details:
Presenters will have 20 minutes for presentation and 10 minutes to answer questions. Time limits will be carefully monitored. Full papers for publication must be submitted in DOC format.

New Mexico Earth Workshops

Arches, Domes and Vaults

Arches, Domes and Vaults starts Monday, June 9. Anselmo Jaramillo (blog) instructs and leads construction of a 10- or 12-foot diameter adobe dome on a small adobe building to be built in Chimayo, NM, at Marisela’s. Dorm rooms available at the College in El Rito about 30 miles away. Camping in Anselmo’s fields a couple of miles from the worksite. Tuition costs about $150 for NM residents and $300 for non-residents. College admission, class registration, dorm arrangements through Donald Martinez, donmart@nnmc.edu, 505-581-4120 or call Quentin at 505-581-4156.

Natural Plaster and Floor Workshop

Natural Plaster and Floor Workshop takes place in LanderLand, Kingston, New Mexico June 28-29 with instruction on Earth Plaster, Lime Plaster, Earthen Floor and Natural Clay Paint(Aliz). Please come join then and learn the fundamentals of clay and lime for your natural home. Please check out http://www.LanderLand.com for more information. If you have any questions please feel free to contact Tom and Satomi Lander at 575-895-5029.

Adobe Classes at the Northern New Mexico College

Anselmo Jaramillo is teaching our one-week introductory class, Build With Adobe, starting April 21. A little bit of talk, a lot of work. Adobe 147-201, CRN 21475.

Following that on Monday, April 28 is our very intensive ADOB 112-101, Arches, Domes and Vaults that runs five days a week for two weeks ending May 9. Also taught by Anselmo this will take place on the property of Alejandro Lopez on the east side of Espanola. The project will be a small vault. Alejandro already has a dome.

The two courses make a nice package.

More information on the College website www.nnmc.edu or by calling Quentin Wilson at 505-581-4156. Email Donald Martinez for registration at donmart@nnmc.edu or 505-581-4120

Another one-week introductory class begins June 2. The instructor is yet to be identified.

Another on August 18 with Kirk Higbee the instructor. Followed by Arches Domes and Vaults for two weeks beginning Aug 25 and bracketing Labor Day. Taught by Q Wilson. This will be vault in
Abiquiu which we think will be the largest vault ever built west of the Rio Grande, east of the Chama River, South of the Canadian Border and north of Española.

Down and Dirty

The article Down and Dirty from the New York Times, discusses the growing populatiry of earthen floors. (subscription required)

Early one Saturday morning in January, Kevin Rowell dumped a bucket of dark mud on the floor of his big south-facing bedroom. It landed with a plop, spreading out and merging with a blanket of wet earth that already extended across much of the room. On his knees, Mr. Rowell took a trowel to the pile, nudging it this way and that until the mud was roughly level and about an inch and a half deep.

Adobe USA 2007

The 4th Adobe Conference of the Adobe Association of the Southwest: AdobeUSA 2007 will take place May 18, 19, 20 and 22, 2007 in El Rito, New Mexico on the campus of co-sponsor Northern New Mexico Community College in Cutting Hall Auditorium. It adjoins the two-story South Dorm and Cafeteria forming a stately adobe complex.

Information on the Association and the previous conferences can be found at: http://www.adobeasw.com/

Call for Papers Schedule:

December 15, 2006: Abstracts due. One page, 8-1/2 x11, maximum
January 5, 2007: Notification of acceptance
February 23, 2007: Full paper due. (7-page maximum including graphics)

Presenters will have 20 minutes for presentation and 10 minutes to answer questions. Time limits will be carefully monitored. The host institution can handle 2×2 slides in Carousels, digital presentation files, DVD, VHS and overheads.

Submit abstracts to:
Quentin Wilson, Speakers Committee
PO Box 426, El Rito, NM 87530
505-581-4130 fax
or qwilson@mail.nnmc.edu as an attachment in .txt, .doc (msword) or .pdf format or email body or printed on paper.

Final papers for publication consideration must be in .pdf or .doc formats. Conference Languages: English and Spanish

Topics of special interest are:

Affordable adobe construction
Thermal properties of earthen materials
Physical properties of earthen materials including seismic considerations
Historical buildings of note
Historical builders, developers, architects or designers worldwide
New projects: architecture, adobe art and design
Adobe education
Manufacture and supply of adobe and related construction materials