Architecture, Art, Design, and Culture using of mud, clay, soil, dirt & dust.
Listen to the mud episode of Unsettled podcast from Santa Fe Art Institute created by Dr. Alicia Inez Guzmán & Diego Medina. Listen to artists Joanna Keane Lopez and Christine Howard Sandoval reflect on the the complex history, traditions, politics, and meanings embedded within the act of building with mud in New Mexico and California.
Before founding a world leading clay plaster company, Clayworks Ltd, Adam Weismann and Katy Bryce specialised in earth building, with a particular love of Cob. The couple built many cob structures, with clients including HRH Prince of Wales, and finished the exteriors in Lime and the interiors in Clay. It was during this time that Adam and Katy developed a particular interest in clay plaster finishes. Their book, Building with Cob: A Step-by-Step Guide (Sustainable Building)
Building with Cob was described by David Pearson (Author of The New Natural House Book) as ‘An inspiring vision and practical guide to one of the most versatile building materials’.
Keith Hall, Editor of Building for a Future magazine, concluded ‘This has got to be the most practical and beautifully illustrated book on earth building every published’.
The highly illustrated book, abundant with photographs, has step by step instructions for creating cob structures as well as information on natural finishes including lime plasters and home-made clay finishes. It also contains advice on how to construct a cob building that complies with modern building standards and guidance on restoring and repairing old cob structures.
While earth, the material and technology that comprises the ground beneath our feet, is considered the most earth-friendly of all materials, it is also a material whose properties can be polluted by man-made and natural disasters. Artists have addressed this by fashioning objects made from the polluted ground.
Swedish artist Hilda Hellström created food storage jars made of radioactive earth from the Fukushima Daiichi nuclear disaster area in Japan. To do so, she contacted the last person still living inside the evacuation zone, Naoto Matsumura, and collected soil from his rice fields that can’t be farmed due to contamination.
Similarly, design studio Unknown Fields Division has used mud from a toxic lake in Inner Mongolia to create a set of three Ming-style vases.
The London studio, headed up by Kate Davies and Liam Young, collaborated with ceramicist Kevin Callaghan to form the three radioactive vases from the toxic waste generated during the production of electronic devices like smartphones and laptops, as well as a short film.
“Rare earth minerals are some of the fundamental ingredients in contemporary electronics,” said Young. “For example, a smartphone has eight different rare earths in it. Everything from the material used in its memory to the red-coloured pixels of its screen and the polish used on its glass.”
Construction with earthen materials, as one of the oldest traditional technology, was widely employed all over China during the past thousands of years. According to the latest statistics, at least 60 million people in China are still living in various traditional rammed-earth dwellings, most of which are located in poor and rural regions.
The Macha Village Center, designed by One Earth Architecture, is located in Huining County, Gansu Province, borrows the conventional yard form and local building traditions of the region to create a courtyard that is enclosed by four different height of earth buildings that faces the eastern valley. Al building materials and earth are taken from the local area to blend in the local landscape in a natural way.
Arquitectura Tierra describes itself as the world’s first digital Instagram blog for contemporary eartharchitecture, art & technology. Visit them on Instagram
As environmental pressures continue to increase and concerns about resource scarcity continue to grow, a number of prominent architectural thinkers are returning to one of the world’s oldest construction methods: earth building. Upscaling Earth: Material, Process, Catalyst
Presenting a wide range of built and unbuilt projects and outlining strategies that can be implemented to adapt the use of earth to each unique culture and context, Upscaling Earth demonstrates groundbreaking technological innovations that highlight the advantages of this material. From worldwide availability to the possibility of comprehensive recycling, from climate-neutral production to socially just implementation, the book reveals the incredible potential of earthen architecture.
Buy Upscaling Earth: Material, Process, Catalyst at Amazon.com
For almost ten thousand years, unbaked earth has been used to build remarkable structures, from simple dwellings to palaces, temples, and fortresses both grand and durable. Jean Dethier spent fifty years researching this landmark global survey, which spans five continents and 250 sites. The Art of Earth Architecture: Past, Present, Future
This definitive reference features many UNESCO World Heritage sites and contains essays on the historical, technical, and cultural aspects of raw-earth construction from twenty experts in the field, as well as hundreds of photographs, illustrations, and architectural drawings.
Buy The Art of Earth Architecture: Past, Present, Future at Amazon
Emerging Objects explores the frontiers of technology and material using traditional materials (clay, water, and wheat straw), to push the boundaries of sustainable and ecological construction in a two phase project that explores traditional clay craft at the scale of architecture and pottery. The end goal of this endeavor is to demonstrate that low-cost and low-labor construction that is accessible, economical and safe is possible. The project began in the contemporary borderlands along the Rio Grande watershed beginning in El Paso and Juarez and ended near the headwaters of the Rio Grande in Colorado’s San Luis Valley, which was the edge of the historic border between the U.S. and Mexico prior to 1848. The entire region has employed traditional pottery and earthen construction traditions for centuries. More at Mud Frontiers
The 1st prize winning design is Sankofa House by the design team: M.A.M.O.T.H from France
The 2nd prize winner is Eban Aya by Atelier Koe in Senegal
The 3rd prize is awarded to Ejisu Earth House by Jason Orbe-Smith in USA.
The competition was open to recent graduates and students of architecture, design and others from around the world. The challenge was to design a single-family unit on a plot of 60 x 60 feet to be built by maximum use of earth and local labor in the Ashanti Region of Ghana. The client of the design entry is the middle-income family at any township in the region. Total costs of constructing the design entry was capped at $6,000; land value was excluded from this price point. The competition was designed to: (1) to generate mud house design alternatives to be available free to everyone to appreciate, use, or improve them to generate more practical and contemporary design solutions for the region; and (2) to make possible the construction of the best design entries through building workshops to realize prototypes, as examples to the local people that mud architecture can be durable and beautiful.
The jury involved a preselection jury and grand jury by use of judging criteria involving functionality, aesthetics and technical matters. Twenty top finalists were chosen by the Preselection Jury of architects, professors and administrators with relevant expertise, which were forwarded to the Grand Jury of architecture professors and others who are established in earth architecture. From the Top 20 Design Entries, three prize-winning designs were selected. Prizes for first, second and third place consist of a commemorative plaque and a choice of cash reward or construction of winning design in Ghana. Every design team of the Top 20 Design Entries receives a certificate of recognition.
What is next?
BUILDING WORKSHOPS: THE PROTOTYPING CHALLENGE
Nka Foundation is issuing a challenge to builders, architecture professors and architects worldwide who know how architecture is localized, uses the means and the materials available in the site to create a friendly building to the environment. Join us as a workshop director or a participant to realize the winning designs from our 2014 Mud House Design competition in the Ashanti Region of Ghana. Each prototyping workshop will run for about 10 weeks. Participants can join at any time and participate for a minimum of 1 month. Students can use the workshop opportunity to fulfil the academic requirements for their stage/internship, thesis, or volunteer just for learning-by-doing on a vernacular architecture project. Here are all submitted design entries: http://nkaprojects.boards.net/thread/30/submitted-entries-1st-list Please, take a look!
For more information contact info@nkafoundation.org / www.nkafoundation.org.
The Farmer, the Architect and the Scientist from The Gaia Foundation & ABN on Vimeo.
A new film, ‘The Farmer, the Architect and the Scientist’ tells the story of a seed hero. Dr Debal Deb is a pioneering ecologist committed to working with traditional farmers in eastern India to conserve indigenous seed diversity. Over almost two decades, Debal has managed to save 920 varieties of rice, all of which he stores in community based seed banks in West Bengal and Odisha for farmers. This film follows the construction of a new seed bank premises in Odisha, a venture that provides a potent symbol of Debal’s values.