Taos Pueblo

 

Pueblo de Taos
© Edmondo Gnerre
https://whc.unesco.org/en/list/492/gallery/

Taos Pueblo is an ancient, occupied multi-generational community in Northern New Mexico. “Pueblo” refers to both the physical buildings and community (stylized “pueblo”) and the native people of those communities (stylized “Pueblo”). The people are also known as Puebloans, or Pueblo peoples, and are native to the Southwestern United States (New Mexico, Arizona, Texas). They share a common culture, including food and agriculture, history, traditions, and religious practices. Aside from Taos, inhabited pueblos include San Ildefonso, Acoma, Zuni, and Hopi.

Taos Pueblo
© OUR PLACE The World Heritage Collection
Author: David Muench
https://whc.unesco.org/en/list/492/gallery/

The most recognizable feature of the Taos Pueblo community are the multi-story, red clay and adobe homes and community buildings. They span both sides of the Sacred Blue Lake/Rio Pueblo de Taos (a tributary of the Rio Grande) which is also the population’s only source of water. The community has been continuously occupied for over 1000 years, likely originally built between 1000 and 1450 C.E. It is both the longest continuously inhabited community in the United States, and the largest of the pueblos.

Taos Pueblo
© OUR PLACE The World Heritage Collection
Author: David Muench
https://whc.unesco.org/en/list/492/gallery/

The structures are built in terraced tiers, extending out as they descend toward the ground, and a height of five stories at maximum. “The property includes the walled village with two multi-storey adobe structures, seven kivas (underground ceremonial chambers), the ruins of a previous pueblo, four middens, a track for traditional foot-races, the ruins of the first church built in the 1600s and the present-day San Geronimo Catholic Church” UNESCO. The community sits at the base of the Taos mountains, the Sangre de Cristo range of the Rocky Mountains

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https://taospueblo.com/history/

Spanish explorers arrived in 1540 C.E. and originally believed the community to be one of the Seven Golden Cities of Cibola, a legend of Aztec mythology pursued by Coronado, among others. The miccaceous mineral (micca) found in the clay that is used to re-mud the homes every year shimmers in the light, seemingly like gold.

It is an occupied, inhabited, living community, with dwellings passed on within the family from eldest son to eldest son throughout generations. Taos Pueblo is recognized as both a U.S. National Historic Landmark and a UNESCO World Heritage Site. Visitors are welcome, but as an occupied space, access is limited to businesses and tourist centers, and photography of certain parts of the physical community and people is limited. The tribal land encompasses 95,000 acres with about 4,500 inhabitants. Approximately 150 people lived in the historic pueblo adobe dwellings as of 2010.

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https://taospueblo.com/history/
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https://taospueblo.com/history/
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https://taospueblo.com/history/
Google Earth 3D aerial of Taos Pueblo buildings
Google Earth aerial of Taos Pueblo land

REFERENCES

The Adobe Paradox

Once a building material of the humble economy used by autochthonous peoples of the Southwest, adobe has become fashionable among Marfa’s affluent newcomers. Here, in this article in Texas Architect, a student with roots in the town’s Mexican-American community and and architect practicing in the region discuss the building block’s complex cultural content. Because, in a Texas Art Mecca, Humble Adobe Now Carries a High Cost, according to this New York Times article discussing how taxes are higher for adobe homes.

Adobe Alliance Nubian Vault Workshop

The Adobe Alliance is hosting a Nubian Vault Workshop March 6th through 13th. Participants will be introduced to the craft of building a Nubian vault using small bricks measuring 10″x7″x1.5″. Hands-on teaching and theory are offered in English and Spanish by Instructor Stevan de la Rosa of Baja California. Simone Swan teaches design, history and gladly discusses in English and French, experiences in earth architecture based on her apprenticeship in Egypt with architect Hassan Fathy (1900-1989). Workshops are limited to 10 participants. There will be three Intern positions for hard working individuals who would like to immerse themselves deeper in the knowledge of woodless construction. Internship runs from March 1st until March 22nd.

Workshop fees for students run $600 paid by February 5th, and $650 thereafter. This includes instruction, materials, and lunches for the duration of the workshop. On site camping with minimal facilities is $3.00 per person per night. For more information about the workshop and to register, write to stevan81@gmail.com and visit our webpage. An early, non-refundable deposit of $200 to the non-profit Adobe Alliance, Inc., allows us to reserve a slot for each student, thus helping to cover in advance the expenses of preparatory work.

Information on lodging, meals and directions is posted on the website www.adobealliance.org. The Adobe Alliance, Inc., continues its curriculum of adobe design and building thanks to funding made by believers in the future of earth architecture as a healthy and structurally sound material for living. Donations are needed for running our program and are eminently appreciated.

The Adobe Alliance Featured in Mother Earth News


Photo by Yasmina Rossi.

“The allure of elegant earthen architecture can be life-changing. At least that was the case for urbane New Yorker Simone Swan, who in the 1970s became fascinated with the ideas and designs of renowned Egyptian architect Hassan Fathy. Then the 40-something executive head of the Houston-based Menil Foundation, Swan moved to Cairo to study with Fathy. She became his most passionate advocate, and transplanted his adobe building techniques to the Southwestern United States.”

[ Mother Earth News | Adobe Alliance ]

Rammed Earth Bench

To introduce a hands-on understanding of materials, 12 advanced design students designed and constructed a rammed-earth bench in the Goldsmith Hall Courtyard. The rammed-earth investigation was one of three class investigations that explored the nature of materials in response to particular sites.

Box Box House

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tick2.jpgRonald Rael and Virginia San Fratello. Ocotillo, mesquite, yucca and sotol serve as the backdrop and the view of the landscape from the house extends out to the Davis Mountains in the distance.

The name of the house comes from the large, earthen box that inside contains a smaller box that houses the major utilities of the house (kitchen, bathrooms, storage, boiler, etc). The contrast between the thick, earthen walls and the concrete lintels that interpenetrate the facade to create openings, as well as the use of stainless steel in contrast with the earth, create a tension between old and new, rough and smooth, industrial and non-industrial. Inside, a large courtyard opens to the interior and to the sky.

Vault Building Workshop


Jesusita Jimenez, master mason and project manager,
hands-on instructor.

The Adobe Alliance offers a vault-building workshop from March 6 to 11, 2008, or longer by arrangement. We will dig the foundation, build walls with 18″ adobes, and the roof with smaller adobe bricks. Adobes will be delivered from Ojinaga, Mexico, and mortar is mixed on site at Swan House and Lab, 9 miles east of Presidio on farm road 170 east and 1.5 miles north on Casa Piedra road.

Fee: $350 for 3 days and includes lunch. Check payable to non-profit Adobe Alliance, mail to P.O. Box 1915, Presidio, TX, 79845. Lodging is nearby at motels or RV park Loma Paloma. Bring plenty of potable water, gloves, one bucket, total solar protection. Dogs welcome. Internships negotiated individually.

Adobe Alliance Seeks Intern

The Adobe Alliance, a Texas based non-profit organization whose aims include to apply cooperative building techniques in earth architecture is seeking a resident intern to work in Santa Fe, New Mexico or from a distance. Responsibilities will include research, image scanning, simple bookkeeping, assisting with workshop organization, website maintenance, and telephone management. The ideal person is a graduate student in architecture, art/art history, public policy or related fields. To learn more, please contact Ms. Simone Swan at simoneswan@gmail.com or visit www.adobealliance.org