The Great Mosque of Djenne

The Great Mosque of Djenne, east facade.

 

The national emblem of Mali.

Originally built during the 13th century CE, the Great Mosque of Djenne was rebuilt in 1906, and remains the largest mud brick building in the world to this day. It is located in the town of Djenne, which is situated near the Bani River in Mali. It is considered the preeminent example of Sudano-Sahelian architecture, and served as a center of Islamic knowledge for centuries before it fell into ruins. The Old Towns of Djenne were designated as a UNESCO World Heritage Site in 1988, including various other mud buildings and archaeological sites in addition to the Great Mosque. The Great Mosque has been featured on Mali’s national emblem since it was adopted in 1961.

Photo taken by Edmond Fortier in 1906.

The Great Mosque is located in the city center of Djenne, adjacent to the marketplace. It is built on a raised platform or mound of earth 3m tall, and measuring 75m by 75m. This platform protects the Great Mosque from damage when the nearby Bani River floods. Rain does damage the mosque, though usually only causing cracks that are addressed through regular maintenance. Unusually heavy rain can cause greater damage, as was the case in 2009 when the upper portion of the south tower of the east facade collapsed. The Aga Khan Trust for Culture funded repairs in 2010, and the mosque has been fully restored as of the present day.

La fete de creppisage, the annual festival when the Great Mosque is fully rendered and repaired.

The Great Mosque is maintained through an annual festival, “La fete de crepissage,” where community members participate in the rendering of the building. The mud plaster used in this annual process is mixed in large pits, and left to cure and ferment for several days before it is ready to use. Young men and boys climb the toron, the rodier palm clusters protruding from the facade of the mosque that serve as scaffolding, while the young women and girls bring water to aid in plastering. More senior masons observe the young men as they smear a new layer of mud plaster over the mosque, and later check the work to ensure that it is smooth and even. The festival begins with a race to see who can bring the first bowl of mud plaster to the mosque, and ends with the workers washing the plaster off in the remaining water.

Detail view of the exterior wall of the Great Mosque.

The Great Mosque is constructed entirely from mud, excepting the toron. Mud forms the bricks, the mortar, and the plaster with which the mosque was originally built. These bricks are made of banco, a combination of grain husks and the traditional West African brown mud that forms much of the earthen architecture of the region. The qibla, or prayer wall, of the mosque faces east, toward the central square of Djenne and toward Mecca. The qibla is roughly a meter thick and punctuated by three main towers, with small minarets at either end. The wall derives additional support from the eighteen pilasters, each ending in a conical pinnacle.

East elevation of the Great Mosque.
Plan of the Great Mosque.

The prayer hall is directly behind the qibla, and takes up roughly half of the interior of the mosque. The other half is an open court which is surrounded on three sides by galleries with pointed archways, one of which is reserved for women. The roof of the prayer hall is made of more rodier palm clusters, which run crossways, and are covered in mud plaster. It is supported by interior walls.

Interior of one of the galleries of the Great Mosque.

In 2005, the Zamani Project spatially documented the Great Mosque, producing 3D scans and GIS analysis of the area. Play with the 3D model produced by the Zamani Project here. Watch an animated tour of the model here.

 

References:

[1] https://zamaniproject.org/site-mali-djenne-great-mosque.html

[2] https://www.archnet.org/sites/6395

[3] https://reportage.org/2000/Djene/PagesDjeneFrames/DjeneFrameset.html

[4] https://whc.unesco.org/en/list/116/

[5] https://the.akdn/en/where-we-work/west-africa/mali/cultural-development-mali

[6] https://edmondfortier.org.br/fr/postal/soudan-djenne-ruines-de-lancienne-mosquee/?highlight=Djenne

 

Primary School Tanouan Ibi

Dutch firm Levs Architecten used compressed earth blocks from local clay mines to build the barrel-vaulted structure of this primary school in the village of Tanouan Ibi.

The architects enlisted students from a nearby university and members of the local community to help construct the building, using the compressed clay bricks to build walls, floors and roofing.

More information at Dezeen.

Ahmed Baba Institute Library

The new Ahmed Baba Institute of Higher Islamic Studies and Research, completed in 2009, introduces state-of-the-art techniques for conserving, exhibiting, and studying these famous Timbuktu manuscripts. dhk Architects of Cape Town designed phase one of the $8.36 million, 50,000-square-foot Institute, creating an archive of 20,000 manuscripts and a public library with reference materials on the culture of the region.

Andre Spies, the project architect for dhk, designed the institute and now heads his own practice in Cape Town called twothink architecture, which completed phase two — fitting out the interiors. To respect the vernacular architecture of the region, Spies chose to build primarily with mud, which requires maintenance after the annual rains. He found a local mason who mixed mud with concrete to make the facade rain-repellent, and he purchased mud bricks from craftsmen on the streets.

The introduction of a new building is challenging in the low-tech, mud-built setting of Timbuktu. Albakaye Ousmane Kounta, the Malian writer, poet, and storyteller, criticizes the building as “too modern.” Whereas fortresslike walls concealed the internal configuration of the former institute, the new one blurs inside and out with outdoor hallways arrayed along a “free plan.” This modern approach is uncommon in West Africa, where public and private spaces are strictly demarcated to keep out sand, roving donkeys, and itinerant people. The new design encourages access and openness, but it has drawbacks as well. In addition, some spaces — such as the auditorium — have rigid functions not easily adapted to other uses.

Read more at Architectural Record

Heavenly Mud

Heavenly Mud is a documentary about traditional architecture and magic in West Africa. The documentary celebrates traditional West African architecture, which uses mud (adobe) as its main material. The film will place it in the context of modern Western architecture and link it to the present movement towards our architectural roots embodied by organic architecture. The film was shot by Ton van der Lee and was broadcast by AVRO Television. It can be purchased here.