Kangina

A paper-lined kangina, opened to access the grapes stored inside. Credit: Voice of America

Kangina (Dariکنگینهlit.treasure),  is the traditional Afghan technique of preserving fresh fruit, particularly grapes, in airtight discs formed from mud and straw.

This technique has been practiced for centuries, particularly in rural regions of central and northern Afghanistan, where access to imported fresh produce is limited during winter months. Grapes stored in kangina can remain fresh for up to six months, allowing communities to extend seasonal harvests and enabling merchants to transport fruit over long distances without spoilage.

Ziaulhaq Ahmadi makes bowls of mud and straw for fresh grapes. Credit: Atlas Obscura

The container is formed by shaping two shallow, bowl-like shells from a mixture of clay-rich mud and straw, which are then dried in the sun. Fresh, undamaged grapes—typically thick-skinned varieties such as Taifi or Kishmishi—are placed inside before the two halves are sealed together with additional mud, creating an enclosed volume. The finished vessel is stored in a cool, dry environment, protected from direct sunlight.

Sabsina shows where the family stores the kangina: in a dry, cold space, away from direct sunlight. Credit: Atlas Obscura

Kangina functions as a passive controlled-atmosphere system. Although the mud shell appears sealed, it remains microscopically porous, allowing a slow and continuous exchange of gases between the interior and exterior. Oxygen gradually diffuses into the container, enabling the grapes to remain alive, while carbon dioxide produced through respiration accumulates inside. This elevated concentration of carbon dioxide slows metabolic activity and inhibits the growth of fungi and bacteria, effectively delaying spoilage without the need for mechanical refrigeration.

At the same time, the material properties of the mud contribute to humidity regulation. The earthen shell absorbs excess moisture released by the fruit, preventing condensation and reducing conditions favorable to microbial growth. This balance of gas exchange and moisture control creates a stable internal microclimate that preserves the grapes’ freshness, texture, and nutritional quality over an extended period.

Historically, similar techniques have been documented as early as the twelfth century. In his Book of Agriculture, the Andalusian agronomist Ibn al-‘Awwam described methods of storing grapes in mud-sealed containers layered with straw, indicating a long-standing tradition of using earthen materials to regulate environmental conditions for food preservation.

Kangina remains an inexpensive, environmentally sustainable, and effective method of storage. It requires no external energy input and relies entirely on the intrinsic properties of natural materials. However, the containers are relatively heavy, fragile, and susceptible to absorbing external moisture, which can affect their durability and performance in certain conditions.

“Kangina.” Wikipedia. Last modified 2023.  https://en.wikipedia.org/wiki/Kangina

Glinski, Stefanie. “The Ancient Method That Keeps Afghanistan’s Grapes Fresh All Winter”. 2021. Atlas Obscura.

Senj: Afghan Wood Framing Technology

Senj: Afghan Wood Framing Technology. 1’/1.5” scale. Pine, earth, and poplar

Senj (سنج) is a traditional Afghan wood framing technique. It is a lightweight, flexible, and modular system designed to be placed on upper levels of structures within earthquake prone regions of Afghanistan.

Amin House Restoration, Kabul, Afghanistan 2004-2005. https://www.archnet.org/sites/5585
Filling of timber parapet frame with mud-bricks. Amin House Restoration, Kabul, Afghanistan 2004-2005. https://www.archnet.org/sites/5585

The frame is constructed with poplar poles on a flat surface and is joined together to create square or rectangular walls. The horizontal poles are around 15-20cm in diameter, and the vertical/diagonal poles around 10-15cm. They are joined by mortise and tenon about 1m apart, where they are then filled with sun-dried bricks, placed at a diagonal relationship between the vertical and diagonal poles.

Drawings from the book Afghanistan: An Atlas of Indigenous Domestic Architecture p.154

The infilled brick frames are then plastered with a mud and straw mixture on both the interior and the exterior facades. It seems that over time, however, the diagonal poles have been integrated into the complete frame, plastered over and completely hidden. Notice this drawing:

Drawing showing the exposed poplar diagonal pole, from the book Afghanistan: An Atlas of Indigenous Domestic Architecture p.153
Drawing showing the exposed poplar diagonal pole, from the book Traditional architecture of Afghanistan p.187

The diagonal bracing pole is left exposed outside of the plaster, as seen in these photos:

Vernacular Housing of Kabul, 2006, https://www.archnet.org/sites/5610.
Vernacular Housing of Kabul, 2006, https://www.archnet.org/sites/5610

Here on the left side wall, all poles have been plastered over and no remnants of the structure are exposed. Could the strength have increased by having the diagonals be integrated into the frame, rather than existing on the exterior of it?

Amin House Restoration, Kabul, Afghanistan 2004-2005. https://www.archnet.org/sites/5585

In Afghanistan: An Atlas of Indigenous Domestic Architecture, the authors state that diagonal poles are *nailed* at the exterior corners to stabilize the frame, not integrated within the frame itself. It is beautiful to witness the underlying structure with the poplar poles exposed as such in the older buildings, and saddening to see that design decision disappear over time. Even more so it is a shame the patterning that the bricks create are also plastered over and disappear. We wonder how senj technology can be re-contextualized contemporarily to become a textural, aesthetic, modular device while also supplying firm, structural integrity to a design.

Thank you so much to Professor Ronald Rael for opening the doors of knowledge, wisdom, research and discovery of ancestral design within the context of Architecture at UC Berkeley.

Senj: Afghan Wood Framing Technology. 1’/1.5” scale. Pine, earth, and poplar

Omar Mohammad & Monica Leslie
Berkeley, December 2024

Works cited

“Archnet > Site > Amin House Restoration.” n.d. Accessed December 3, 2024. https://www.archnet.org/sites/5585.

“Archnet > Site > Vernacular Housing of Kabul.” n.d. Accessed December 3, 2024. https://www.archnet.org/sites/5610.

Hallet, Stanley Ira, and Rafi Samizay. 1980. Traditional Architecture of Afghanistan. New York: Garland STPM Press.

Szabo, Albert, and Thomas Jefferson Barfield. 1991. Afghanistan: An Atlas of Indigenous Domestic Architecture. Austin: University of Texas Press.

Afghan Refugee Housing

Rai Studio and Architecture for Humanity Tehran, in collaboration with the Norwegian Refugee Council, have recently completed an adobe construction prototype intended for Afghan refugees living in Kerman, close to the centre of Iran.

Built in an Afghan Refugee Camp in Kerman, Iran, the 100 meter square meter domed shelter is comprised of approximately 6,000 mud bricks.

Pouya Khazaeli, principal of Rai Studio and architecture professor at Azad University, Tehran and Ghazvin, notes: “Social sustainability in design is our main focus area here. It means to study how these refugees live, communicate, the meaning of privacy in their live, which materials they prefer and use for construction, which kind of construction techniques they use themselves, how much they spend normally to construct their own shelters….”

Read more at Domus

Afghan Earth Works

Afghan Earth Works is a non-profit organization working at a variety of sites around Afghanistan. Their goals are simple. They are to create valued, decently paid jobs; to show how earth, the most readily available material, may be used to create comfortable buildings which their occupants will cherish and that they can repair themselves; and to teach updated construction methods so that the buildings are both durable in Afghanistan’s harsh climate, and safe in the earthquakes which periodically devastate parts of the country.