Diébédo Francis Kéré, an architecture student in Berlin, took upon himself the cause of ensuring that his village would not be deprived of a school, and with a group of friends in Germany, Kéré set up a fund-raising association, Schulbausteine fur Gando (Bricks for the Gando School). The idea met with a positive response and, having secured finance through the association, Kéré also obtained the support of LOCOMAT (a government agency in Burkina Faso) to train brickmakers in the technique of working with compressed stabilized earth. The project is a recipient of the Aga Khan Award for Architecture, Ninth Award Cycle, 2002 – 2004.
Hugo Houben and Hubert Guillaud Discuss Earth Architecture
An on-line survey of earthen architecture by Hugo Houben and Hubert Guillaud of CRATerre
Earth Architecture in Venezuela
Arquitectura de Tierra Cruda en Venezuela contains 257 color and 24 black and white illustrations discusses the use of earthen architecture in Venezuela from the pre-columbian period to today. Spanish language edition only.
Images From Ghana
These images of Ghanaian Earth Architecture are by Keith Zawistowski and Marie Richard. The image in the upper left is a shrine house in the Ashanti Region, near Kumasi. It is made from earth on a bamboo frame, detailed with cut reeds and plastered with cow dung. The others are of various typologies from the northern region. View larger image
YBE2004 Clay House of the Future
YBE2004 Houses of the Future is the showcase event for the Year of the Built Environment which challenged Australians to consider the future of our built environment and the most tangible element of that environment – the house. The Clay House uses the twin concepts of a courtyard plan and the inherent mass of clay brick products to create an intimate and private house. The driving concept behind this design is that it can fit into a small block, and has high level of thermal comfort that doesn’t rely on artificial cooling and heating.
The Valley of Mud-Brick Architecture
The Valley of Mud-Brick Architecture by Salma Samar Damluji is a scholarly book concentrating on the architecture and town planning of two towns in the Hadhramawt, Shibam and Tarim, Yemen. It looks at the very ancient origins of the south Arabian mud built architecture, its suitability for the climate, its adaptability, and its relative virtues compared with imported Western practices and how it can continue to develop as an indigenous Arabian art or science. It is clearly an exciting study to any such as Dr. Damluji, who had worked with and is clearly an admirer of Hassan Fathy, the great exponent of traditional mud brick architecture in Cairo. Read a review.
Mii amo Spa
This 34,000 square-foot spa facility in Sedona, Arizona by Gluckman Mayner Architects is comprised of a main treatment building and six freestsanding residential buildings. The main building’s five adobe brick clad towers contain treatment rooms and anchor the complex in the landscape. See more of this commercial project at www.gluckmanmayner.com
Irish Earthen Architecture
The Center for Irish Earthen Architecture was founded in response to the number of enquiries sent to the Plymouth centre of earthen architecture, regarding information, training and the techniques of cob, rammed earth, adobe and wattle and daub. Along with the development and implementation of training courses for both the individual and academic institutions, the centre wishes to establish a monitoring system to deliver competence in earthen architecture to the wider audience.
Birth Brick
In 2002, University of Pennsylvania Museum archaeologists discovered a 3700-year-old “magical” birth brick inside the palatial residence of a Middle Kingdom mayor’s house just outside Abydos, in southern Egypt. The colorfully decorated mud birth brick, the first ever found, is one of a pair that would have been used to support a woman’s feet while squatting during actual childbirth.
Labor and Materials
The scene: a humble clay house on one of Baghdad’s meanest streets. A knock at the door. When the man of the house answers, he is astonished. “We have presents for you!” warbles Shaima Emad Zubair, a young siren with tangerine lipstick. Batting her blue-mascaraed eyes, she pokes her microphone his way. “Labor and Materials” is Iraq’s answer to “Extreme Home Makeover” and the country’s first reality TV show. In 15-minute episodes, broken windows are made whole again. Blasted walls slowly rise again.