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Emerging Ghana

Enviu selected Emerging Ghana by Ana Morgado, João Caeiro, Lara Camilla Pinho, Maria de Paz Sequeira Braga and Maria de Carmo Caldeira, from Portugal, Mexico and Brazil, as the winner of the Open Source-House competition. The materials used are bamboo and dahoma, a local wood, for the modular and lightweight panels. These are held together with strong rammed earth walls. Due to the modular design, inside and outside spaces can be created depending on different needs and environments. Natural ventilation is archived throughout the building, due to the earth walls that keep the spaces cool and shaded areas.

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Earth House by BCHO Architects

BCHO Architects have completed this house buried in the ground in Seoul, Korea to honour the late Korean poet Yoon Dong-joo.

The concrete-lined residence has two courtyards with earth floors, to which all rooms are connected.

The earth used for the walls is from the site excavation. Even though the viscosity of the existing earth was low, only minimal white cement and lime was used so the earth walls can return to the soil later.

Rammed Earth walls provide all the interior spatial divisions and the walls facing both courtyards.

Rammed-earth walls make use of the excavated earth while wood from a pine tree from the site is embedded in the concrete courtyard walls.

[ Read more from Dezeen ]

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EARTHWORKS: International Summer School

EARTH WORKS: International Summer School will take place September 1st – 18th, 2010 in Gmunden, Upper Austria. Instructed by Martin Rauch and Anna Heringer, the aim of the summer program is to acquire intensive hands-on experience and to gain application-oriented knowledge in buiding with earth to associate this timeless material to innovative architecture. The central focus in to obtain practical experience and to learn by doing.

The program is jointly organized by BASEhabitat, the Technical University Munich , CRATerre-ENSAG and the UIA. Closing date for application: 28th of June 2010. For further information and online-application, please visit www.basehabitat.ufg.ac.at

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How to Survive the Coming Bad Years


How to Survive the Coming Bad Years, 2008. Soil, straw, water, timber, lime and ceramic pipes. Attingham Park, Shropshire, UK. Commissioned by Meadow Arts for the exhibition Give Me Shelter

In an ancient woodland at the core of Attingham’s vast 4,000 acre land, an immense clay structure rises through the trees like an oversized Dalek. Both alien and primeval, How to Survive the Coming Bad Years, by Heather and Ivan Morrison, is inspired by traditional rookeries found throughout the Middle East where in return for shelter, the birds provide squab to eat and guano to fertilise the land on which food is cultivated. Ivan and Heather Morison’s huge lime covered cob sculpture suggests the vestige of an other worldly civilisation or perhaps a post-apocalyptic future. In this case the structure will provide a nesting environment for Attingham’s bird-life, but in return they must give up a share of their young.

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Handmade Houses & Other Buildings: The World of Vernacular Architecture

Vernacular architecture, by its very nature, is built from local materials that are readily to hand and is thus defined by the geology and ecology of the region and by local climatic conditions. Constructed by the community using traditional tools, these structures are highly practical, energy-efficient, and blend with the landscape. They carry many of the attributes that we are now seeking in green architecture as we struggle to adapt our built environment to the demands and concerns of the climate-change era. Handmade Houses & Other Buildings: The World of Vernacular Architecture looks at everyday structures all over the world, from whatever wood, grass, earth or stone that was to hand, in ways that offered practical solutions to the challenges of climate or terrain. Based on immemorial principles, but highly relevant to our newly found environmental concerns, these buildings show the simple and satisfying ways in which humans have worked out how to live and live well, in harmony with their surroundings.

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Bio-Engineered Sand Brick

The winner of the 2010 Metropolis Next Generation Design Competition proposes a radical alternative to the common brick: don’t bake the brick; grow it. In a lab at the American University of Sharjah, in the United Arab Emirates, Ginger Krieg Dosier, an assistant architecture professor, sprouts building blocks from sand, common bacteria, calcium chloride, and urea (yes, the stuff in your pee). The process, known as microbial-induced calcite precipitation, or MICP, uses the microbes on sand to bind the grains together like glue with a chain of chemical reactions. The resulting mass resembles sandstone but, depending on how it’s made, can reproduce the strength of fired-clay brick or even marble. If Dosier’s biomanufactured masonry replaced each new brick on the planet, it would reduce carbon-dioxide emissions by at least 800 million tons a year. “We’re running out of all of our energy sources,” she said in March in a phone interview from the United Arab Emirates. “Four hundred trees are burned to make 25,000 bricks. It’s a consumption issue, and honestly, it’s starting to scare me.” Read more…

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Trois Séminaires Thématiques Autour de l’Architecture de Terre

Grands Ateliers, Villefontaine, Isère: 17, 18, 19, 20, 21, 22 mai 2010. Trois séminaires thématiques autour de l’architecture de terre organisés par Le laboratoire CRAterre – ENSAG Dans le cadre du 8e festival des architectures de terre “Grains d’Isère 2010” et de la Chaire Unesco Architectures de terre, cultures constructives et développement durable.

1- Sciences de la matière et du matériau (17 et 18 mai 2010)
* Comportement du matériau terre saturé d’eau à l’état de pâte (17 mai 2010)
* Comportement thermique et hygrométrique du matériau et des constructions en terre (18 mai 2010)
2- Patrimoine et développement local – Défis et opportunités de la conservation du patrimoine pour le développement (19 et 20 mai 2010)
3- Cultures constructives locales et amélioration de l’habitat (21 et 22 mai 2010)

Ces 3 séminaires auront lieu aux Grands Ateliers à Villefontaine (www.lesgrandsateliers.fr) et s’inscrivent dans la perspective de la concrétisation de la “Cité de la Construction Durable”. Ils s’articulent autour de présentations, suivies de discussions et de travaux de synthèse. Présentations, programmes détaillés et fiche d’inscription ci-joints. informations : craterre@grenoble.archi.fr / 04 76 69 83 35

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9th International Earth Architecture Photography Competition

The Centro di Documentazione sulle Case di Terra is hosting the 9th International Earth Architecture Photography Competition with the theme “Le case di terra paesaggio di architettura”.

CALENDAR:
Entry deadline: 30/06/2010
Judges meeting: 07/08/2010
Announcement of results: 31/08/2010 on the Internet page: www.casediterra.it
Works exhibition: dal/from 18/09/2010 al/to 30/09/2010 presso il / in the CED Terra Casalincontrada
Opening: 18/09/2010
Prize-giving: 18/09/2010

JURY:
President of jury:
Mr Maurizio Morandi – University of Firenze

Jury
Mrs Concetta Di Luzio – Mayor of Casalincontrada
Mrs Stefania Giardinelli – Terrae onlus Association
Mrs Gaia Bollini – Città della terra cruda National Association
Mr Gianni Ortolano – Member of Fotoclub Chieti

TEMPORARY JUDGES:
Mr Gabriele Esposito – Associazione Terrae onlus
Mrs Caterina Buccione – Associazione Terrae onlus

PRIZES: FIXED SUBJECT: “RAW EARTH ARCHITECTURAL STRUCTURES” One single section: B/W and Colour
1° Classificato/1st prize winner: Euro 515,00
2° Classificato/2nd prize winner: Euro 260,00
3° Classificato/3rd prize winner: Euro 130,00
To the five outstanding photographs: a book on earthen architecture

SPECIAL PRIZES
– To the best photograph on new earthen architectural structures;
– To the best photograph on earthen architectural structures in the Abruzzo Region;
– To the best photo of earthen architecture in Italy;
– To the best photo of earthen architecture in the world;
– Special prizes for schools.

PRESENTATION
The 9th International Photo Competition on “Earthen architectures: landscapes of architectures” is an initiative of the Municipality of Casalincontrada, in the Italian province of Chieti and the Documentation Centre on Earth Architectures, Terrae onlus Association The “rediscovery” of the knowledge linked to earthen architecture recomposed in images, like tiles of a mosaic made of people, things, material and places. Images that could be interpreted as “surviving structures” or “new scenarios”, as well as architectures of the territory, memories and situations.

For more information visit the competition website.

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Abey Smallcombe


Cob Visitor Facility, Eden Project

Abey Smallcombe is a collaboration between artists Jackie Abey and Jill Smallcombe. Their craft is working with cob, earth plasters and other natural beautiful, sustainable materials. They have successfully carried out a number of large and smaller scale commissions for, the Eden Project, Somerset College of Arts and Technology, The Devon Guild of Craftsmen, Met Office, National Trust, Sustrans Cycle Paths. They have also exhibited nationally, taught all age groups, lectured internationally and researched earth structures in Europe, USA, India, Africa and Australia.