The Juana Briones House, a rare example of encajonado construction, parts of which were built in 1844, has been completely torn down by property owner Jaim Nulman, who fought off historic preservationists, latino activists, and descendants of Briones for years. Feminists joined in the struggle for the home’s preservation as well. Jeanne McDonnell, biographer of Juana Briones, stated that historic buildings associated with women are more likely to be demolished than those associated with men.
Solar Sinter Project
In a world increasingly concerned with questions of energy production and raw material shortages, this project by Markus Kayser explores the potential of desert manufacturing, where energy and material occur in abundance.
In this experiment sunlight and sand are used as raw energy and material to produce glass objects using a 3D printing process, that combines natural energy and material with high-tech production technology. Solar-sintering aims to raise questions about the future of manufacturing and triggers dreams of the full utilisation of the production potential of the world’s most efficient energy resource – the sun. Whilst not providing definitive answers, this experiment aims to provide a point of departure for fresh thinking.
Bricks From Volcanic Ash
After weeks of enduring the ash brought on by Chile’s Puyehue volcano, one Argentine woman has decided to transform the grey sediment into something useful. Maria Irma Mansilla used the sediment and sand spewed by the volcano to create bricks. She hopes she and her neighbours will be able to produce them on a large scale to build homes for the poor. Watch
Sra Pou Vocational School
The Sra Pou vocational school in Sra Pou, Oudong, Cambodia by Finish architects Rudanko + Kankkunen is constructed of hand-dried blocks of the surrounding soil. The school serves as a business training centre and public hall.
The soil block walls repeat the warm red shade of the surrounding earth. They are laid out with small holes, so that indirect sunlight and gentle wind come in to cool the spaces – and at night, the school glows like a lantern through these small openings. The whole community space is open, providing comfortable shaded outdoor space. The colorful handicraft doors are visible from far away and welcome visitors coming along the main road.
The 200m2 building cost $15,000 and was constructed by members of the community.
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Diébédo Francis Kéré
From FastCOdesign: Diébédo Francis Kéré Imbues Mud With Poetry, And Gives Africans A Future
The Hinterland House
The Hinterland House by http://www.morrispartnership.com.au/ is a rammed earth house designed to be in harmony with the Australian bush. No fences, screens or garden areas were incorporated to insure as little disturbance as possible to surrounding inhabitants. The local animal and plant life can continue to roam as freely as before the structure was built.
Along with rammed earth, the material palette includes spotted gum, rough recycled timber, concrete floors, corten steel and zincalume. Building environmental features include the earthen thermal mass, double glazing, shading and cross ventilation that mitigates against the need for air conditioning. Sustainability solutions include the use of worm farm waste treatment, solar heating and hot water, and the cellar pantry drawing cooled air through an underground chamber.
The Hinterland House program includes:
· Living/dining/kitchen core
· Clients’ separate bedroom suite
· Separate studio & study
· Separate guest accommodation
Small Scale Big Change
The role of the global architect in society is changing. Instead of waiting for commissions to come their way, architects are initiating and developing practical solutions in response to dramatically changing living conditions in many parts of the world today. Small Scale, Big Change
focuses on a central chapter of this shift, presenting recently built or under-construction works, many of which are constructed of earth, in underserved communities around the globe by these 11 architects and firms: Elemental (Chilean); Anna Heringer (Austrian); Diebedo Francis Kere (Burkinabe); Hashim Sarkis A.L.U.D. (Lebanese); Jorge Mario Jauregui (Brazilian); Frederic Druot, Anne Lacaton & Jean Philippe Vassal (French); Michael Maltzan Architecture (American); Noero Wolff Architects (South African); Rural Studio (American); Estudio Teddy Cruz (American, born Guatemala); and Urban Think Tank (American/Austrian/Venezuelan).
Without sacrificing concern for aesthetics, these architects have developed projects that reveal a post-utopian specificity of place; their architectural solutions emerge from close collaboration with future users and sustained research into local conditions. The projects–which include schools, parks, housing and infrastructural interventions–reveal an exciting change in the longstanding dialogue between architecture and society, as the architect’s roles, methods, approaches and responsibilities are dramatically reevaluated. They also offer an expanded definition of sustainability that moves beyond experimentation with new materials and technologies to encompass larger concepts of social and economic sustainability. Small Scale, Big Change examines the evolving standards of responsibility and participation in architecture and the ways in which architects can engage critically with larger social, economic and political issues currently facing communities around the world.
Alderney Stones
A new site-specific installation of works by Andy Goldsworthy opened on the island of Alderney, located in the Bailiwick of Guernsey in the English Channel Islands. Alderney Stones consists of an installation of 11 boulders spread across the landscape of Alderney.
Goldsworthy formed each 3-ton boulder from a mold of rammed earth and other materials sourced from the island, such as berries, seeds, old tools and discarded gloves.
Set in varying degrees of exposure to the elements, the stones will eventually erode, revealing the elements concealed inside, and ultimately return to the land from which they came.
Ahmed Baba Institute Library
The new Ahmed Baba Institute of Higher Islamic Studies and Research, completed in 2009, introduces state-of-the-art techniques for conserving, exhibiting, and studying these famous Timbuktu manuscripts. dhk Architects of Cape Town designed phase one of the $8.36 million, 50,000-square-foot Institute, creating an archive of 20,000 manuscripts and a public library with reference materials on the culture of the region.
Andre Spies, the project architect for dhk, designed the institute and now heads his own practice in Cape Town called twothink architecture, which completed phase two — fitting out the interiors. To respect the vernacular architecture of the region, Spies chose to build primarily with mud, which requires maintenance after the annual rains. He found a local mason who mixed mud with concrete to make the facade rain-repellent, and he purchased mud bricks from craftsmen on the streets.
The introduction of a new building is challenging in the low-tech, mud-built setting of Timbuktu. Albakaye Ousmane Kounta, the Malian writer, poet, and storyteller, criticizes the building as “too modern.” Whereas fortresslike walls concealed the internal configuration of the former institute, the new one blurs inside and out with outdoor hallways arrayed along a “free plan.” This modern approach is uncommon in West Africa, where public and private spaces are strictly demarcated to keep out sand, roving donkeys, and itinerant people. The new design encourages access and openness, but it has drawbacks as well. In addition, some spaces — such as the auditorium — have rigid functions not easily adapted to other uses.
Kleiwerks International
Founded in 1998, Kleiwerks International is a non-profit organization and a global network of innovative design specialists collaborating with communities to create ecological and social resilience.