The Great Mosque of Djenne

The Great Mosque of Djenne, east facade.

 

The national emblem of Mali.

Originally built during the 13th century CE, the Great Mosque of Djenne was rebuilt in 1906, and remains the largest mud brick building in the world to this day. It is located in the town of Djenne, which is situated near the Bani River in Mali. It is considered the preeminent example of Sudano-Sahelian architecture, and served as a center of Islamic knowledge for centuries before it fell into ruins. The Old Towns of Djenne were designated as a UNESCO World Heritage Site in 1988, including various other mud buildings and archaeological sites in addition to the Great Mosque. The Great Mosque has been featured on Mali’s national emblem since it was adopted in 1961.

Photo taken by Edmond Fortier in 1906.

The Great Mosque is located in the city center of Djenne, adjacent to the marketplace. It is built on a raised platform or mound of earth 3m tall, and measuring 75m by 75m. This platform protects the Great Mosque from damage when the nearby Bani River floods. Rain does damage the mosque, though usually only causing cracks that are addressed through regular maintenance. Unusually heavy rain can cause greater damage, as was the case in 2009 when the upper portion of the south tower of the east facade collapsed. The Aga Khan Trust for Culture funded repairs in 2010, and the mosque has been fully restored as of the present day.

La fete de creppisage, the annual festival when the Great Mosque is fully rendered and repaired.

The Great Mosque is maintained through an annual festival, “La fete de crepissage,” where community members participate in the rendering of the building. The mud plaster used in this annual process is mixed in large pits, and left to cure and ferment for several days before it is ready to use. Young men and boys climb the toron, the rodier palm clusters protruding from the facade of the mosque that serve as scaffolding, while the young women and girls bring water to aid in plastering. More senior masons observe the young men as they smear a new layer of mud plaster over the mosque, and later check the work to ensure that it is smooth and even. The festival begins with a race to see who can bring the first bowl of mud plaster to the mosque, and ends with the workers washing the plaster off in the remaining water.

Detail view of the exterior wall of the Great Mosque.

The Great Mosque is constructed entirely from mud, excepting the toron. Mud forms the bricks, the mortar, and the plaster with which the mosque was originally built. These bricks are made of banco, a combination of grain husks and the traditional West African brown mud that forms much of the earthen architecture of the region. The qibla, or prayer wall, of the mosque faces east, toward the central square of Djenne and toward Mecca. The qibla is roughly a meter thick and punctuated by three main towers, with small minarets at either end. The wall derives additional support from the eighteen pilasters, each ending in a conical pinnacle.

East elevation of the Great Mosque.
Plan of the Great Mosque.

The prayer hall is directly behind the qibla, and takes up roughly half of the interior of the mosque. The other half is an open court which is surrounded on three sides by galleries with pointed archways, one of which is reserved for women. The roof of the prayer hall is made of more rodier palm clusters, which run crossways, and are covered in mud plaster. It is supported by interior walls.

Interior of one of the galleries of the Great Mosque.

In 2005, the Zamani Project spatially documented the Great Mosque, producing 3D scans and GIS analysis of the area. Play with the 3D model produced by the Zamani Project here. Watch an animated tour of the model here.

 

References:

[1] https://zamaniproject.org/site-mali-djenne-great-mosque.html

[2] https://www.archnet.org/sites/6395

[3] https://reportage.org/2000/Djene/PagesDjeneFrames/DjeneFrameset.html

[4] https://whc.unesco.org/en/list/116/

[5] https://the.akdn/en/where-we-work/west-africa/mali/cultural-development-mali

[6] https://edmondfortier.org.br/fr/postal/soudan-djenne-ruines-de-lancienne-mosquee/?highlight=Djenne

 

The Farmer, the Architect and the Scientist

The Farmer, the Architect and the Scientist from The Gaia Foundation & ABN on Vimeo.

A new film, ‘The Farmer, the Architect and the Scientist’ tells the story of a seed hero. Dr Debal Deb is a pioneering ecologist committed to working with traditional farmers in eastern India to conserve indigenous seed diversity. Over almost two decades, Debal has managed to save 920 varieties of rice, all of which he stores in community based seed banks in West Bengal and Odisha for farmers. This film follows the construction of a new seed bank premises in Odisha, a venture that provides a potent symbol of Debal’s values.

Iggy Azalea

Australian rap star Iggy Azalea grew up in a house that her father built by hand from mud bricks, surrounded by 5 hectares of land. She reminisces about it in her song Work:

You can hate it or love it
Hustle and the struggle is the only thing I’m trusting
Thorough bread in a mud brick before the budget
White chick on that Pac shit
My passion was ironic
And my dreams were uncommon

Afghan Refugee Housing

Rai Studio and Architecture for Humanity Tehran, in collaboration with the Norwegian Refugee Council, have recently completed an adobe construction prototype intended for Afghan refugees living in Kerman, close to the centre of Iran.

Built in an Afghan Refugee Camp in Kerman, Iran, the 100 meter square meter domed shelter is comprised of approximately 6,000 mud bricks.

Pouya Khazaeli, principal of Rai Studio and architecture professor at Azad University, Tehran and Ghazvin, notes: “Social sustainability in design is our main focus area here. It means to study how these refugees live, communicate, the meaning of privacy in their live, which materials they prefer and use for construction, which kind of construction techniques they use themselves, how much they spend normally to construct their own shelters….”

Read more at Domus

The Mountain

The Mountain, a film written by Fathy Ghanem, tells the story of building the village of New Gourna by architect Hassan Fathy. Filmed in the village of New Gourna itself in 1965, it is incredibly important from an architectural perspective, however, Hassan Fathy never mentioned the film in any of his writings or speeches. More information at www.hassanfathy.webs.com

Adobe for Women

Adobe for Women is a non-profit association, founded in 2011, whose goal is the recovery and education of earth construction techniques; this is our contribution to a more human and sustainable use of space and the planet’s resources. The goal of this Project is to build 20 sustainable houses in the indigenous village of San Juan Mixtepec, in the southern Mexican state of Oaxaca.

The houses are intended for 20 women in difficult circumstances who will participate in the building process. They will slowly appropriate their future home and simultaneously re find their self esteem, work abilities and hope that will transform the spaces into safe, caring places for their families.
The houses are energy efficient and built with local materials such as adobe and bamboo.

[via Treehugger.com]

Bricks From Volcanic Ash

After weeks of enduring the ash brought on by Chile’s Puyehue volcano, one Argentine woman has decided to transform the grey sediment into something useful. Maria Irma Mansilla used the sediment and sand spewed by the volcano to create bricks. She hopes she and her neighbours will be able to produce them on a large scale to build homes for the poor. Watch