Esfahk Mud Center

The Esfahk Mud Center, Iran.

The Esfahk Mud Center is a revival of clay and mud architecture in contemporary practice. Built in 2015 by architect Pouya Khazaeli, the center was established with the aim of reviving traditional clay and mud construction in Esfahk Village, Iran. Khazaeli founded the Esfahk Mud Center to reach beyond utility and conceptual design toward the extension of organic settings, with reverence to the cultural heritage of the region. The structure celebrates traditions that have allowed the local community to thrive in challenging weather conditions for ages.

Pouya Khazaeli, Founding Architect of Esfahk Mud Center.

Khazaeli is an architect from Tehran, Iran, who earned his Master’s degree in architecture from Tehran Azad University in 2000, and went on to found Rai Studio in 2007. He has worked across Iran and internationally on projects rooted in vernacular and earth-based construction. His motivation is clear: to resist the homogenization of contemporary architecture and instead recover the wisdom embedded in traditional building methods, particularly those developed by communities adapting to harsh desert climates over centuries.

Series of traditional structures found at Esfahk Mud Center.

As an educational center, the building offers a range of educational activities like mud brick production, hands-on Iranian vault construction and lime based plastering rooted in vernacular Iranian practices. 

Women carefully construct an Adobe brick model in a class offered at Esfahak Mud Center.

In terms of program, the Esfahk Mud Center functions simultaneously as a school, a research laboratory, and a cultural institution. Its aim extends beyond Esfahk itself; The center aspires to provide guidance wherever communities need sustainable ways to live with nature, positioning earth architecture as a globally relevant practice rather than a regional curiosity. Esfahk Village is a historically significant desert settlement in the South Khorasan region of Iran that suffered severe damage from the 1978 earthquake, causing much of the historic fabric to be abandoned over time. The center’s placement within this vulnerable context gives the project an urgency that goes beyond aesthetics: it is an act of cultural repair.  

Two women work together using fabric to reinforce and protect an adobe structure at Esfahk Mud Center.

The building is constructed primarily from adobe combined with lime-based plasters and earth mortars, all sourced locally and processed on-site by participants themselves. The design begins from the smallest unit, the adobe brick, and scales upward, using hands as the primary construction tool and traditional Iranian techniques as the guiding logic

Hand plastering a mud structure.

What the Esfahk Mud Center ultimately inspires is a rethinking of what a building can be asked to do. It is not simply shelter, nor merely an aesthetic statement — it is a living argument for the intelligence embedded in pre-industrial building cultures. The center raises the question of whether contemporary architecture, in its relentless pursuit of novelty and technological sophistication, has abandoned forms of knowledge that took centuries to develop and that address, with remarkable precision, the real conditions of place, climate, and community. Khazaeli’s work suggests that sustainability is not a feature to be added to a building but a logic that must be recovered from the ground up. 

Works Cited:

Khazaeli, Pouya. Esfahk Mud Center. Esfahk Mud Center, 2015. esfahkmudcenter.org

Esfahk Mud Center: Earth Architecture in South Khorasan. Terra — Hypotheses, CRAterre. Accessed March 2026. terra.hypotheses.org/3748

CAOI Architecture. Esfahak Historic Village Restoration Project. Archinect. Accessed March 2026. archinect.com/caoi/project/esfahak-historic-village-restoration-project

Khaloian, Nareh. Living Structures. Nareh Khaloian, 2023. Accessed March 2026. narehkhaloian.com/living-structures

RIBA Lectures

The Royal Institute of British Architecture is hosting a series of earth architecture related lectures in their series: The Art of Mud Building: Heritage and Sustainability. Here is the lineup:

Down to Earth, Paul Oliver
Talk Tuesday 2 March, 18.30
RIBA
Join Paul Oliver, acclaimed academic and Emeritus Professor at the International Vernacular Architecture Unit, Oxford Brookes University, for a stimulating talk about the future of vernacular building traditions and their role in creating sustainable, culturally vibrant, people orientated places to live.
Part of the International Dialogues talks programme.
Tickets: £8.50/£5.50

The Future of Mud: Tales of Houses and Lives in Djenné
Film Monday 8 March, 19.00
SOAS, Russell Square, London WC1H
A documentary film that explores the challenges and choices faced by a mason’s family, raising vital questions about heritage and changing traditions. French and Bamana with English subtitles.

Restoring Mud Mosques in Mopti, Djenné and Timbuktu
Talk Thursday 11 March, 20.30
The Ismaili Centre, Cromwell Road, London SW7
Join Christophe Bouleau from the Aga Khan Trust for Culture as he talks about the restoration of the extraordinary mud mosques of Mali.

Restoring the Splendour of Djenné
Talk Thursday 18 March, 19.00
SOAS, Russell Square, London WC1H
Join Rogier Bedaux and Annette Schmidt, Volkenkunde Museum and the architect Pierre Maas, to discuss the cooperative venture between Mali and the Netherlands.

Behind the Façade in Djenné
Talk Thursday 25 March, 19.00
SOAS, Russell Square, London WC1H
Join Michael Rowlands, UCL and Charlotte Joy, Cambridge as they discuss how to create local value for cultural heritage through sustainable architectural tradition.

Economic and Environmental Sustainability
Talk Thursday 29 April, 19.00
SOAS, Russell Square, London WC1H
Join Rowland Keable, Ram Cast CIC, for an expert presentation on structures, standards and models for earth building in the 21st century.

The Earthbuilder

The Earthbuilder clasps a clump of clay-rich earth, with hands work-hardened,
earth mixed with chaff and chopped straw, all just dampened,
then moulds the soil that one hand holds, confidently shaping a rustic ball.

The Earthbuilder looks into the ball as if to watch futures revealed,
to witness the world to be rebuilt, an earth to be healed.
There are familiar spirits here, we hear their call.

This cob is placed on the foundation, on those good shoes.
At this signal many more hands join in, each muddy handful pressed onto growing rows.
A community evolves and a home begins to rise this way.

It is a simple and ancient thing, a child’s game at times, to build with earth this way,
being both right work and equally right play.
The goal is as serious as dirt, as wise as clay.

Walls moulded by a gathered strangers to hold a family and their friends.
If newly improvised rituals of earthbuilding gain good ends,
the home will be a fertile soil to enfold and nurture the lives of those within.

With many hands sculpting the mass, the house grows from of the land.
With good shoes and a good hat, a home will stand.
Work goes on as hours pass, and new days begin.

A community evolves as a human home rises, ex humus, out of the soil:
a home evolves as a human community rises, ex humus, out of the soil,
Humans grow from the clay, ex humus, into the light of a new day.

Poem ©Chris Green, Feb. 2009