As architecture students, we (Sascha Fawaz and Pedram Modaresi) built a dome structure/prototype merging pottery vessels with clay construction. Inspired by the Reviving Al Nazlah Center (Oriental Group Architects and Hamdy El-Setouhy) in Egypt, our installation transforms clay pots into architectural elements.
Our project focused on using pots as modular units for construction, integrating them into both the facade and roof. Domes and curved surfaces formed the core of our design, emphasizing spans and spaces that feel timeless yet innovative.
We were fascinated by the dialogue between ancient techniques and modern design sensibilities in the precedent project, reflecting a deep respect for craftsmanship while pushing the boundaries of what’s possible with humble materials like clay and pottery. It not only bridges the gap between past and present but also exemplifies the potential for sustainability, cultural revival, and community empowerment through architecture.
Reference images from the Al Nazlah Center by Hamdy El-Setouhy
We layered clay and pottery in sequential phases. Our initial dome structure received embedded pots, adhesive coating with strong glue, and curing time.
We added a second clay layer to strengthen the form, followed by targeted drilling to reveal the pots from the interior of the dome . We filled joints with a second layer of clay for more stability and sanded the surface for a refined finish.
The completed dome sits on a brick foundation, raising it above ground level. Our project demonstrates the potential of traditional materials in contemporary architecture, combining ancient pottery techniques with modern structural approaches.
Proposal dome model. Scale: 1/4″=1′