Architecture, Art, Design, and Culture using of mud, clay, soil, dirt & dust.
Proyecto Hornero es un grupo interdisciplinario que aborda la construcción con materiales naturales y el manejo sustentable de energía. Surgió en mayo del 2002 como iniciativa de un grupo de estudiantes de Agronomía y Arquitectura de la Universidad de la República (UdelaR), respondiendo a la situación generada por el tornado que destruyó infraestructuras de la zona granjera del sur de Uruguay. [ Blog ]
The Adobe Repository for Buddha Statue was designed by Kengo Kuma and Associates in 2001-2002 in Toyoura-Gun, Yamaguchi Prefecture, Japan. It is designed to accommodate and exhibit the wood carved statue of Timber Amida (Amidabha) Tathabata. The periphery walls of the site are constructed in hanchiku, or rammed earth, Kuma decided to further utilize this technique in the architecture by using what appears to be compressed earth block, even though it is called out as adobe (mud brick).
Built by architects Peter Sassenroth und Rudolf Reitermann in 1999, this small chapel made of rammed earth replaces the former Church of Reconciliation, a historicist church built in 1894 which happened to be situated on the death strip when the Berlin wall was erected in 1961. The old church stood there vacant and isolated, abused as a guarding tower for East German border patrol, until it was finally blown up by East Germany in 1987 – just two years before the wall eventually was torn down itself. the community of the former church decided it wanted to have its church back. The completed chapel is enveloped by a wall made of rammed earth, composed out of clay and smaller pieces of bricks of the exploded church. For more information visit the Chapel of Reconciliation home page.
“Mixing and applying mud plaster to adobe brick is more than a skill; it’s a tangible reconnection to the land – and the past.” Read about the restoration of the Casa de Estudillo, a historic landmark in Old Town San Diego State Historic Park.
Many wineries and residences among vineyards employ earth in the construction of buildings. Often, the same earth to grow grapes is ideal for use as a building material.
Margan Tasting Room and Restaurant
The list goes on and on: [ Fetzer Winery Administration Building | Moorooduc Estate | Texas Hills Vineyard | Adinfern Estate | Wing Canyon Vineyard | Home Hill Winery ]
The Moroccan city of Aït Benhaddou is one of the most well-known earthen city in the world, at it is a UNESCO World Heritage Site and because it is an extremely photogenic city, was the setting for numerous movies including Lawrence of Arabia (1962), The Last Temptation of Christ (1988) and Gladiator (2000) to name a few.
In the book Concrete: The Vision of a New Architecture
“…when concrete did again come into use as a building material, it evolved from an entirely independent, and much more humble origin: pisé [rammed earth]. The peculiarity of pisé construction thus lay not only in the economy of using earth as a building material, but in the process whereby a building was moulded into shape, and it was inevitable that sooner or later some far-sighted individuals should appreciate the revolutionary possibilities of this method of construction, and seek to extend it by improving on the material used. The most obvious improvement was to increase the cohesion of the earth by mixing in a binding material such as mortar, and this had in fact already been done by [Jean-Baptiste] Rondelet when repairing the château in Ain. It was left to others to experiment with suitable hard aggregates, and produce modern concrete, or, as it was termed in French, béton. The first of the pioneers was an ingenious but ambitions building labourer named François Cointeraux.” – Peter Collins, Concrete: The Vision of a New Architecture (Montreal: McGill-Queen’s University Press, 2004), 20-21.
The Future of Mud: A Tale of Houses and Lives in Djenne, a new film by Susan Vogel and presented by the Musée National du Mali, is the story of Komusa, master mason and heir to the secrets of Djenne architecture. He hopes his son will continue the family profession and maintain their world heritage city – but Djenne is connected to a global world now, and competing ideas about the future have arrived. Documentary footage and staged scenes tell an intimate story of family tensions, contemporary building practices, and the precarious future of the renowned mud architecture of Mali.
Treehugger writes of the film:
A “collective connection to earthen architecture is best seen in the film’s footage of the annual re-plastering of the town’s pride, the Great Mosque, which is the world’s largest earth building, in addition to being a distinguished UNESCO World Heritage site. The first earthen structure here on this site dates back to the 13th century and is re-plastered every year. The day-long, annual festival is truly a communal affair, with plenty of foreign tourists gawking on and filming the orderly chaos.”
photo of the Great Mosque of Djenne by Ferdinand Reus
The Future of Mud: A Tale of Houses and Lives in Djenne
Co-Produced with Trevor Marchand and Samuel Sidibé.
Edited by Harry Kafka. Music by Issa Bagayogo. In Bamana, French, English with English subtitles. Color, 58 minutes. Distributed by FRIF.com. Available fall 2007.
French archaeologists have discovered an 11,000-year-old work of art in northern Syria which is the oldest known wall painting, even though it looks like a work by a modernist. Rectangles dominate the ancient painting, which formed part of an adobe circular wall of a large mud brick house with a wooden roof. The dating makes the designs at least 1500 years older than wall paintings at Çatalhöyük, the famous 9500-year-old Turkish village, among one of the first towns.
Paul Revere Mud Brick
http://www.paulreverehouse.org/contact/
