Yakhchal in Yazd Province
By 400 BC, Persian engineers had mastered the technique of storing ice in the middle of summer in the desert. The ice was brought in during the winters from nearby mountains in bulk amounts, and stored in a Yakhchal, or ice-pit. These ancient refrigerators were used primarily to store ice for use in the summer, as well as for food storage, in the hot, dry desert climate of Iran. The ice was also used to chill treats for royalty during hot summer days and to make faloodeh, the traditional Persian frozen dessert.
Aboveground, the structure is comprised of a large mud brick dome, often rising as tall as 60 feet tall. Below are large underground spaces, up to 5000m³, with a deep storage space. The space often had access to a Qanat, or wind catchand often contained a system of windcatchers that could easily bring temperatures inside the space down to frigid levels in summer days.
The Yakhchal have thick mud brick walls that are up to two meters thick at the base, made out of a special mortar called s?rooj, composed of sand, clay, egg whites, lime, goat hair, and ash in specific proportions, and which was resistant to heat transfer. This mixture was thought to be completely water impenetrable.
The massive insulation and the continuous cooling waters that spiral down its side keep the ice stored there in winter frozen throughout the summer. These ice houses used in desert towns from antiquity have a trench at the bottom to catch what water does melt from the ice and allow it to refreeze during the cold desert nights. The ice is broken up and moved to caverns deep in the ground. As more water runs into the trench the process is repeated.
The twin ice-pits on Sirjan, Kerman Province, are surrounded by high walls and were constructed 108 years ago with mud-brick, the ice-pits are surrounded by high walls.
Previously we reported that the Israeli siege on Gaza led to citizens constructing their houses with mud brick due to a lock on billions of dollars in reconstruction funds pledged by the international community. The ingenuity also stems from a resource created by the excavation of border tunnels, primarily in the Rafah region, used to transport goods from Egypt. When tunnels are dug, mounds of mud are created, and this mud is considered prime for the production of mud bricks. Under the siege, and due to Gazans’ loss of hope that reconstruction projects will rebuild the thousands of houses and institutions destroyed by the Israeli occupation, particularly during its New Year offensive, many homeowners have begun to explore the mud alternative.
Photo credit (left), Photo credit (right)
“Hamas is actually supporting the mud-brick housing movement and has pledged money and assembled a special engineering committee to investigate a pilot project that will test a multistory school to determine just how safe and plausible building more widespread with mud brick can be. Of course, all of this has spawned a new temporary economy in tunnel mud removal and brick manufacturing, and the engineering itself is quite antiquated but none the more outdated. They’re using combinations of mud, sand, salt, and straw, and in some cases rubble to forge bricks and build basic homes. Some have already been said to have withstood elements of winter rains and harsh summer sun….It’s almost as if the tunnels had been turned inside out, sort of poetically unraveled overland as a result of the Israeli assaults, and now offer the dual benefit of both relief housing while also keeping the essential corridors of underground commerce alive. In some ways it’s just good old-fashioned poetic justice bound with some gritty irony. “ writes Subtopia
Several videos about the mud brick houses are available on YouTube. In one, the daughter of Nidal Eid, a 35 year-old who constructed his own mud brick house, states, “Daddy makes everything out of mud, but he can’t make me mud toys.” In another video it is suggested that building with mud brick is “a step back in time.” But is it a step back, or a step forward, creating a Palestinian identity through architecture drawn from tunnels that “represent the frontier of Gaza’s fight for geo-economic autonomy…amazing blueprints as uprooted spaces edited into fresh new infrastructure now in plain view”, as mentioned in the Subtopia essay. “Mud is valuable”, mentions a builder of a mud brick house in another video.
[Gaza’s Mud Brick Homes | Gaza’s Gritty Mixture of Dirt, Despair Produces Houses of Mud | Mud, mud, glorious mud. Nothing quite like it for beating the Israeli blockade | Subtopia: Over the Siege ]
Designed for the desert climate, the beehive homes keep the heat out in a few ways. Their thick mud brick walls trap in the cool and keep the sun out as well (beehive homes have very few, if any, windows). The high domes of the beehive houses also collect the hot air, moving it away from the residents sleeping at the bottom of the house.
Inside, its high dome serves to collect the hotter air, and outside to shed rainfall instantly, before the brick can absorb it and crumble. Its thick roof-cum-wall is an excellent low-velocity heat-exchanger, and keeps interior temperatures between 85° and 75° F. while outside noon-to-midnight extremes range from 140° to 60°.
Architecture: Using Mud to Build Homes, written by S.A.J. Shirazi, is a short essay proclaiming “the future lies in mud architecture”, particularly in the authors home country of Pakistan.
Building earthen structures like bread ovens and small animal pens is a technique many Palestinians are familiar with, but extending the method to houses isn’t a notion that has taken hold in Gaza. But Jihad el-Shaar, who lived with his wife and four daughters with extended family wanted to build a home of their own. After waiting for two years, it was apparent that the siege would make cement unavailable so he decided to build his house of mud.
Historically, the daily life of the inhabitants of Al Ain, today the second largest city in the Emirate of Abu Dhabi, took place in the palm gardens of the oasis and the surrounding settlements and markets. To protect the oases, watchtowers and forts were erected. The Jahili Fort located in the modern-day centre of the city is the largest of Al Ain’s forts. Built in the 19th century by Sheikh Zayed the First, it can be seen from the Al Ain oasis to the west of the city. With its distinct three-tiered profile, the fort is now a national monument, pictured on the 50 Dirham note and often used as a logo or model for new architecture. The old fort was erected at the end of the 19th century.
The fort was recently restored by Roswag & Jankowski Architekten, Berlin.
The interior surfaces remain true to the historical appearance. The ceiling consists of palm rafters and palm leaves. A local clay plaster has been used for the interior wall surfaces. In the exhibition areas a grey coloured fine clay finishing plaster made by Claytec was used to create a neutral background for the exhibition spaces. The floors likewise follow historical precedence and are made of rammed earth stabilised with a wax to cope with greater wear and tear.
All new insertions such as doors and furniture, made of corian or wood composite, are coloured white differentiating them from the surrounding building. The external render of the existing walls was examined and repaired where necessary. Previous renovation works had employed a non-traditional plaster with added gypsum for the crenelations. This plaster is too rigid and already exhibited defects; it was replaced with a clay plaster. The building was then given an overall finishing coat of clay plaster. The earth plaster is maintained at regular intervals as is traditional with this historical material. When used as an external render, clay plaster should be regarded as a weathering surface that needs ongoing maintenance, typically every two years, sometimes after sustained periods of heavy rain. Sandstorms are also a cause of erosion.
Most of the spaces will house a permanent exhibition “Mubarak bin London: Wilfried Thesiger and the Freedom of the Desert” showing photographs taken in the 1940s by the researcher and explorer Wilfried Thesiger who in the 1940s crossed the deserts of the Arabian peninsula repeatedly travelling with Bedouins and documenting what he saw with a Leica camera.
The 90 cm thick external earth walls offer excellent thermal insulation. The additional insulation on the roof improves still further the indoor room temperature and together with the solar protection windows on the façade provide effective protection against the extreme heat outdoors. The building is kept at a constant 24°C using a water-based cooling system integrated into the plaster layer of the walls. This minimizes the need for additional air cooling so that only fresh air is required. The cool indoor temperature of the walls and the reduced need for cold air makes the indoor climate more comfortable and reduces the energy consumption. An actual room temperature of 24°C equates to a felt room temperature of 22°C. The plant and technical installations for the entire fort are located below ground in the buffer zone.
The construction is made of traditionally available building materials including earth, palm products and to a lesser degree also timber. The quartered palm trunks can span a room of about 2.70 m and dictate the strongly partitioned structure of the historic buildings. The walls consist of air-dried earth blocks which can be built directly on the sandy ground without the need for foundations. A matting made of palm fronds covered with earth is laid on rafters made of split and quartered palm trunks arranged at an incline. The small amount of timber available was used for the door and window frames.
French archaeologists have discovered an 11,000-year-old work of art in northern Syria which is the oldest known wall painting, even though it looks like a work by a modernist. Rectangles dominate the ancient painting, which formed part of an adobe circular wall of a large mud brick house with a wooden roof. The dating makes the designs at least 1500 years older than wall paintings at Çatalhöyük, the famous 9500-year-old Turkish village, among one of the first towns.
Shibam, Yemen, also known as ‘the manhattan of the desert’, is home to the world’s oldest surviving skyscrapers.